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Stop The Killing

“The children are always ours, every single one of them, all over the globe; and I am beginning to suspect that whoever is incapable of recognising this may be incapable of morality”
– James Baldwin
During the 2014 Israeli military operations in Gaza, Leon wrote The Ballad of Rivka and Mohammad. How horrifying that, over a decade later, it is still relevant. Find the lyrics here.
Chronicling The Times (Double LP / CD) – 2023
Leon Rosselson has been performing as a singer and songwriter for over 60 years. For such a lengthy career, choosing only two LP’s worth of material proved to be a difficult task. But, completing the task at hand is exactly what Mr. Rosselson did; personally selecting seventeen career-spaning tracks (and specific versions of those tracks) to encompass a life-long dedication to music for a higher cause. Music that not only entertains, but also helps to enlighten and empower those in the fight for a better world. May the music found in Chronicling The Times continue to encourage and inspire that fight!
The compilation is a companion to Leon’s memoir, Where Are The Elephants?, and is available as a double LP or CD. Both include all the song lyrics. The double LP has liner notes by Robb Johnson.
Tracklist:
Song of the Old Communist
Stand Firm
Across the Hills
Ballad of a Spycatcher
Flower Power = Bread
She Was Crazy, He Was Mad
Topside Down Party
Rules of the Game
Postcards From Cuba
Bringing the News from Nowhere
General Lockjaw Briefs the Troops
Where Are the Barricades?
Talking Democracy Blues
Wo Sind Die Elefanten?
World Turned Upside Down (Part 2)
The Ghost of Georges Brassens
Stand Up for Judas
“This man knows exactly how to turn good ideas into great songs, and always with such a command of language, whether it is the playful delight in wordplay of She Was Crazy, He Was Mad or the sharp-as-razors anger and analysis of Where Are the Barricades? His songs ask pertinent, not rhetorical, questions.” —Robb Johnson
“In many ways, Leon Rosselson is the embodiment of the original ideals of punk rock. His hair isn’t spiky, but his music is, using fearless wit and political integrity to highlight the hypocrisies of those in power.” —Billy Bragg
Mail order from Fuse Records (UK only)
Double LP: £20 (incl. postage to the UK)
CD: £15 (incl. postage to the UK)
Use the Buy Now button above to order via PayPal, or send your order and a cheque as per Mail Order instructions here.
Order online from PM Press (USA and worldwide)
Where Are The Elephants? A memoir by Leon Rosselson

Leon Rosselson has spent a lifetime chronicling the times in song and envisioning the birth of a world after capitalism.
His book is an absorbing account of his journey from a childhood during the 2nd World War to lockdown during the pandemic, with lyrics from his songs to light up the way.
Also available, a compilation of all the songs mentioned in the text on CD or on a double LP. Both include all the song lyrics. The double LP has liner notes by Robb Johnson.
‘Like many of his more complex songs, Leon Rosselson’s eminently readable memoir consists of discrete – and sometimes seemingly disparate – sections yet coheres as a fascinating deeply thoughtful whole.’
– read the full review on Morning Star
‘This is a gem of a book… Leon’s writing is often laugh-out-loud hilarious. At other times it is moving and reflective…’
– read the full review on Jewish Voice for Labour
‘One of the joys of this book is the writing. Rosselson has written for children but he is a good adult writer. Orwell would have approved of his uncluttered, clear style.’
– MQB Magazine
Number 1 beach read for the summer: ‘Leon Rosselson weaves his own musical and political journey into an extraordinarily powerful account of how with acoustic guitar and a good tune, while we may not be able to dance to it, the spectacle of how and why we must change the world is more than enough to have us humming along.’
– Philosophy Football
‘I am reading with immense pleasure, Rosselson’s memoirs, a slim but absorbing volume combining essays and those clever witty lyrics.’
– Salut Live
‘It would not be hyperbolic to describe Leon Rosselson as a living legend…. The book is an engaging read’
– read the full review on Labour Hub
Order Your Copy Now
Mail order from Fuse Records (UK Only)
Price: £12 (incl. postage)
Use the Buy Now button above to order via PayPal, or send your order and a cheque as per the Mail Order instructions here
Order online from PM Press
On Her Silver Jubilee
I remember, I remember when my world was hardly grown
And the daughter of a dead dull king ascended to the throne
And though I was just a lad at school, I saw it all with scorn
The solemn, sacred emptiness, the monumental yawn
And the slime exuding daily from the sycophantic slugs
And the Coronation ash trays and the Coronation mugs
And the rows of ermined mummies with their maggot-eaten brains
All the swarms of bloated blowflies the majestic turd sustains.
Droves of decorated duchesses like newly painted slums
Kneeling flunkeys, praying monkeys, loyal holes for royal crumbs
And the well-heeled sharks discreetly selling tickets for the show
Park Lane balconies with champagne at a thousand quid a throw.
Come and cheer the golden fairy Queen, forget your daily cares
For she radiates a glory that a grateful nation shares
And the pageantry, the panoply, the sanctified decay –
But I knew the hour was coming that would sweep it all away.
Now time has me in a corner and I’m moth-eared from the fray
But Her Majesty is reigning still today.
With a glass cage around her and an absence in her eyes
And though regiments surround her, they can’t take her by surprise
She’s as poised as a picture, she’s a sight for all to see
With a glass cage around her on her Silver Jubilee
with a glass cage around her she feels free.
I remember 1956, division East and West
British paratroops in Suez, Russian tanks in Budapest
And the peaceful marchers singing for the dream that must come true
Of a world freed from the nightmare we’ve since grown accustomed to
And the Cuban missile crisis with the rumours flying round
That the Queen was in her secret bomb-proof palace underground
And the violence exploding when anger made a stand
For a peasant people burning in a torn and tortured land.
And the Monarch walked her corgis behind the palace wall
Never once betraying what she felt or if she felt at all.
While her husband shot his mouth off like a walking blunderbuss
She gave birth to royal children with the minimum of fuss
Maintained her waxwork dignity as she trod the royal dance
Fulfilled her royal functions in a kind of royal trance
Balmoral, Ascot, Sandringham, the ship launching routine,
Palace banquets, garden parties ever smiling and serene
Unique symbol, model woman, never seeing, always seen
so we watched her as she played at being Queen.
With a glass cage around her etc.
She seems so commonplace a woman in her fuddy-duddy hats
But she doesn’t stand in bus queues or live in high-rise flats
And she doesn’t ride the rush hour or cycle down the Strand
And she doesn’t play maraccas in the Ivy Benson band.
And she doesn’t shop for bargains, she’s never on the dole
And if she does the football pools she doesn’t tell a soul.
And she never used to bother with the Inland Revenue
Though she’s royally rewarded for the things she doesn’t do
With palaces and properties and to keep her in good cheer
A working wage of 36.7 million pounds a year
A royal train, a royal plane, a costly royal yacht
And lucrative investments in only God knows what.
Oh the magic of the monarchy, the mystery sublime
Growing gracefully and effortlessly richer all the time.
She’s the rock of hope and glory in the quicksand of despair
For although the pound may tumble, although panic fills the air
Although governments may crumble and the cupboard’s nearly bare
Though the stairs begin to rattle and the rats begin to stare
She enfolds in mystic unity her subjects everywhere
And we know we’re safe from harm while Nanny’s there.
With a glass cage etc.
Turning Silence Into Song: The Music of Leon Rosselson
“Turning Silence Into Song” – Leon Rosselson has been doing that for six decades, creating a sound track for unsung heroes and unspeakable scoundrels. Revisit his classics or be introduced to one you never heard before. Invite someone who never heard of Leon – it’s about time!
This live Zoom concert, sponsored by The People’s Music Network, featured an international lineup of musical luminaries celebrating the life and work of Leon Rosselson.
ARTISTS
- Frankie Armstrong, www.frankiearmstrong.uk (UK)
- Billy Bragg, www.billybragg.co.uk (UK)
- Rick Burkhardt, www.rickburkhardt.com (US)
- Martin Carthy, www.mainlynorfolk.info/martin.carthy (UK)
- Russ Chandler, www.russchandlermusic.com (UK)
- Barbara Dane, www.barbaradane.net (US)
- Chris Foster, www.chrisfoster-iceland.com (Iceland)
- Robb Johnson, www.robbjohnson.co.uk (UK)
- Reem Kelani, www.reemkelani.com (UK)
- Nancy Kerr, www.nancykerr.co.uk (UK)
- Sandra Kerr, www.sandrakerr.net (UK)
- Charlie King, www.charlieking.org (US)
- Leon Rosselson, www.leonrosselson.co.uk (UK)
- Martin Simpson, www.martinsimpson.com (UK)
- Dean Stevens, www.facebook.com/Dean-Stevens-Musician-158769790827759 (US)
- Elijah Wald, www.elijahwald.com (US)
About Leon Rosselson
Leon Rosselson is an acclaimed singer and songwriter with more than 50 years of performing under his belt and the author of 17 children’s books. Here you can find more information, a complete bibliography and musicography of Leon’s works as well as an up to date list of upcoming gigs.
You can also get in touch if you’d like more information or to purchase a book or record.
Musings on Medium.com
There’s lots to comment on in these turbulent times so Leon has launched a new blog on Medium.com. There you’ll find provocative musings on songwriting, politics and life’s little ironies. Leon’s first musing asks if Zionism is inherently antisemitic and comes after the suspension of Ken Livingstone and the furore over supposed antisemitism in the Labour Party.
WELCOME TO THE WITCH HUNT
My local Labour controlled council has just voted, like other councils, as well as universities and the UK government, to adopt the International Holocaust Remembrance Alliance definition of antisemitism. This consists of a rather loose basic definition, followed by a rambling discourse around the subject that twice mentions Israel and then 11 examples, 7 of which refer to the state of Israel. Anyone with a functioning brain might suspect that this definition has less to do with protecting Jews from antisemitism than with shielding Israel from criticism.
When the European Parliament were due to vote on whether to adopt this definition, I wrote to my MEPs urging them to reject it. Two replied in identical terms, pointing out that the definition makes it clear that ‘criticism of Israel cannot be regarded as antisemitic’. Except that it doesn’t. They lied. Why would they do that? What it actually says is that ‘criticism of Israel similar to that levelled against any other country cannot be regarded as antisemitic’.
The italicised phrase changes everything. Why is it there? Obviously to muddy the waters. Who is to decide whether criticism of Israel goes beyond that levelled against any other country? In any case, Israel is not like any other country. It is a settler colonial state, founded on massacres and ethnic cleansing. It is, by any definition, a criminal state. Transferring Israeli settlers into the occupied territory is illegal, as is transferring Palestinian prisoners into Israeli jails. The Wall, built largely on Palestinian land was judged illegal by the International Court of Justice in 2004. The collective punishment inflicted on the people of Gaza is a war crime under the Fourth Geneva Convention. Israel itself is a racist state where ‘Arabs’ are viewed as a demographic threat. Unlike other countries (Myanmar is an exception), it is not a state for all its citizens but for all the Jews in the world, who are given the ‘Right of Return’, a right denied to the indigenous people.
Palaces of Gold
PALACES OF GOLD by LEON ROSSELSON
If the sons of company directors and judges’ private daughters
Had to go to school in a slum school
Dumped by some joker in a damp back alley
Had to herd into classrooms cramped with worry
With a view onto slagheaps and stagnant pools
Had to file through corridors grey with age
And play in a crackpot concrete cage.
Buttons would be pressed
Rules would be broken
Strings would be pulled
And magic words spoken
Invisible fingers would mould
Palaces of gold.
If prime-ministers and advertising executives
Royal personages and bank managers’ wives
Had to live out their lives in dank rooms
Blinded by smoke and the foul air of sewers
Rot on the walls and rats in the cellars
In rows of dumb houses like mouldering tombs
Had to bring up their children and watch them grow
In a waste land of dead streets where nothing will grow.
Buttons would be pressed
Rules would be broken
Strings would be pulled
And magic words spoken
Invisible fingers would mould
Palaces of gold.
I’m not suggesting any sort of a plot
Everyone knows there’s not
But you unborn millions might like to be warned
That if you don’t want to be buried alive by slagheaps
Pitfalls and damp walls and rat-traps and dead streets
Arrange to be democratically born
The son of a company director
Or a judge’s fine and private daughter.
Buttons will be pressed
Rules will be broken
Strings will be pulled
And magic words spoken
Invisible fingers will mould
Palaces of gold.
“The lesson of Aberfan is never put your faith in experts or authority….Unless ordinary people take notice there will be another Aberfan, another Chernobyl and much worse.” – Cyril Vaughan, Vice-Chairman of the Aberfan Disaster Fund 18 October 1986, 20 years after Aberfan.
The Wall that Stands Between
Don’t miss The Liberty Tree in Leeds!
THE PERFECT POST-ELECTION MORALE BOOSTER!
I do not believe in the creed professed by the Jewish Church, by the Roman Church, by the Greek Church, by the Protestant Church, nor by any church that I know. MY OWN MIND IS MY OWN CHURCH.
“When the rich plunder the poor of his rights, it becomes an example to the poor to plunder the rich of his property.”
Don’t miss The Liberty Tree – March 8th!
The only London performance this year!
Cecil Sharp House, 2 Regent’s Park Road, London NW1 7AY.
Box office: 020 7485 2206 or book online here.
I do not believe in the creed professed by the Jewish Church, by the Roman Church, by the Greek Church, by the Protestant Church, nor by any church that I know. MY OWN MIND IS MY OWN CHURCH.
“When the rich plunder the poor of his rights, it becomes an example to the poor to plunder the rich of his property.”
They Come Like Armies
They pump down vast amounts of water, toxic chemicals & sand
To crack the rocks and win the prize
The shale gas they hope will see their profits rise.
They say it’s safe, nothing to fear
But it doesn’t take a fracking scientist to spot a bad idea
Just one small leak in the wells they sink
Will contaminate the water that we drink
Ask who will profit? Who pay the price?
This patch of earth they’re violating isn’t theirs to sacrifice.
Why can’t they see that it’s insane
To heat the planet, scar the earth for short term gain?
Earth’s buried treasures they take by force
And fracking uses so much water it depletes the water source
So now in Texas they’re asking why
The shale gas flows while the water taps run dry.
Let’s choose clean water, let’s choose clean air
Let’s choose a future that’s sustainable for everyone to share
Let’s choose clean energy sea, sun and wind
So we can keep those fossil fuels in the ground.
Records Available for Download
Leon Rosselson’s early vinyl recordings are now available as downloads on all major digital retail outlets, including iTunes, Amazon, Google Play and Napster.
You can see a list of early vinyl records on the records page.
That Precious Strand of Jewishness that Challenges Authority
Now available from Five Leaves Bookshop Occasional Papers
payable to Five Leaves, 14a Long Row,
Nottingham NG1 2DH
or call 0115 837 3097, 10–5 Mon–Sat, with
your address and credit card details
or pay via PayPal to [email protected]
Where are the Barricades? – 2016
Leon Rosselson has been at the forefront of songwriting in Britain for over 5 decades. His latest collection (and final recording) features some of his finest songs, ranging from the humorous to the poignant and from the lyrical to the satirical. Stories for our times, musically varied and not a word out of place
Track List: 1. FULL MARKS FOR CHARLIE 2. WHERE ARE THE BARRICADES? 3. LOOTERS 4. BENEFITS 5. SIXTY QUID A WEEK 6. I’M GOING WHERE THE SUITS WILL SHINE MY SHOES 7. LET’S GIVE THANKS 9. REJOICE 8. MARITAL DIARIES 10. FAIR’S FAIR 11. ACTIVE AGEING 12. PARIS IN THE RAIN 13. THE BALLAD OF RIVKA & MOHAMMED 14. FOUR DEGREES CELSIUS 15. AT DAWN
With Roy Bailey, Robb Johnson, John Kirkpatrick, Liz Mansfield, Janet Russell and Fiz Shapur.
Send a cheque as per Mail Order instructions here or click the Buy Now button below.
In the U.S.A. & Canada, this CD can be bought via the PM Press website
New CD: Where are the Barricades?
NOW AVAILABLE!
Leon Rosselson has been at the forefront of songwriting in Britain for over 5 decades. His latest collection (and final recording) features some of his finest songs, ranging from the humorous to the poignant and from the lyrical to the satirical. Stories for our times, musically varied and not a word out of place
Track List: 1. FULL MARKS FOR CHARLIE 2. WHERE ARE THE BARRICADES? 3. LOOTERS 4. BENEFITS 5. SIXTY QUID A WEEK 6. I’M GOING WHERE THE SUITS WILL SHINE MY SHOES 7. LET’S GIVE THANKS 9. REJOICE 8. MARITAL DIARIES 10. FAIR’S FAIR 11. ACTIVE AGEING 12. PARIS IN THE RAIN 13. THE BALLAD OF RIVKA & MOHAMMED 14. FOUR DEGREES CELSIUS 15. AT DAWN
With Roy Bailey, Robb Johnson, John Kirkpatrick, Liz Mansfield, Janet Russell and Fiz Shapur.
Send a cheque as per Mail Order instructions here or click the Buy Now button below.
A song for Gaza – The Ballad of Rivka and Mohammad
The Ballad of Rivka and Mohammad
…. five die in outbreak of West Bank unrest over Gaza
They walked to the wall in their thousands
They came like a surge of the sea
They crossed the hard and barren earth
Where their olive groves used to be
They flew flags in freedom’s colours
Sang songs of victory
The Wall carved through the landscape
For as far as the eye can see.
The Wall towered over them
The Wall barred their way
Above them an Apache
Hovered like a bird of prey
Some of them picked up stones and rocks
And hurled them against the Wall
And stood and watched in silence
As if waiting for it to fall.
Uneasy in their watchtowers
Uncertain what to do
The soldiers looked down on the swelling crowds
And their nervousness grew
The Brigadier phoned the General
Who arrived in his APC
‘There’s trouble here,’ said the Brigadier
Said the General, ‘Leave it to me.’
He climbed up into the watchtower
He spoke through a megaphone
‘Go back now where you came from
This is a military zone.’
‘We want justice, we want freedom,’
They chanted in reply.
‘You won’t find them here,’ said the General.
‘Don’t you know they’re in short supply?’
‘We want bread, justice, freedom,’
They sang out with one voice.
‘We are the third intifada
You give us no other choice.
You turn our lives to rubble
You turn our hopes to dust
But you cannot break our resistance
For we know our cause is just.’
Said the General, ‘You’ve had your last warning.’
‘This is our land,’ they said.
The soldiers’ hands gripped their rifles
The gunship buzzed overhead.
They said, ‘Do you think you can kill us all?’
The General said, ‘Why not?’
A woman screamed out to the heavens
When they fired the first shot.
The Minister of Propaganda
Alerted the BBC
‘Terrorists tried to breach the fence
And attack our troops,’ said he.
A hostile mob assembled
Where civilians aren’t allowed
And gangs of armed militants
Hid themselves in the crowd.
Of course any civilian casualties
Are a matter of great regret
But we have the right to defend ourselves
When our soldiers are under threat.’
The white flag the boy was waving
Was a white scarf stained blood red
And the vow he made was a promise
That one day their blood would be shed.
They gathered up their wounded
They gathered up their dead.
‘We will come again tomorrow.’
‘Your choice,’ the General said.
(From A Proper State Fuse CFCD 024 released 2008.)